Teri is arguably much more frightened of her violent handlers, and is less given to false bravado as result. But with Fuqua this stylistically assured, and Washington equally game, does it really matter? As Teri, Chloe Grace Moretz (Kick Ass, Carrie) forgoes the sarcastic strategy Jodie Foster used as a teenage hooker in Scorsese's Taxi Driver. It's one of those thrillers that begins moody and atmospheric, and then decides it would be more fun to see how many people can be dispatched with nail guns or corkscrew openers and it is similarly unconcerned with logic in the idea that McCall decides to take down the entire East Coast hub of the Russian mafia, simply over one teenage prostitute. And then he lets loose: even timing himself to see if he can voice dispatch Mafiosi in 30 seconds or less. Before every murder McCall commits, the camera slows down, taking on a golden hue, and you literally see McCall breaking down every element of his victims: tattoos, facial expressions. His relative quiet touches give way to mayhem. Director Fuqua accordingly really brings on the style for these sequences. When he realizes the danger Teri is in thanks to her nefarious Russian pimps, he forgoes his cautious life, and willingly brings on the pain.

There is something undeniably hidden within him, however. He's such a regular, that he strikes up a familiar acquaintance in a young teenage prostitute, Teri (Chloe Grace Moretz)), which eventually grows into something of a friendship. When you see him unfold the napkin at his regular diner, and place the teabag into a cup of hot water, you understand immediately that this man is a creature of habit, firmly set in his ways. Fuqua (Training Day) gives a lengthy shot as you watch McCall fold something delicately into a napkin. McCall lives a Spartan existence for the first twenty minutes of the picture, he hardly says a word. Antoine Fuqua's big screen adaptation of the 80′s TV series The Equalizer opens with an impressive tracking shot through an open window, and into the orderly and near empty apartment, belonging to Robert McCall (Denzel Washington).

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